Blue Over Gold

A continuation of the artist’s collaborative piece with photographer Kitt Murphy, Blue Over Gold provides insight into the historical contexts and creative processes behind the artist’s work. Inspired by Elizabeth Siddall's abusive relationship with painter Dante Gabriel Rossetti, the frame acts as a physical shackle and looking place for the muse to be observed by the audience. The title references the 13th century Portuguese phrase 'gold over blue', meaning something that is perfect, intentionally juxtaposing the negative meanings behind the work, and references the blue and gold used in the physical installation to represent feelings of isolation and depression. Inspired by Rossetti’s The Blessed Damozel, the prototype for Pre-Raphaelite muses, Claude Debussy’s La Damoiselle élue accompanies the piece, alluding to themes of idealised femininity and the male gaze. The use of gypsophila also provides a connection to other works in the exhibition, ironically conveying themes of true love and innocence.